Anoop V
An aside · Logo design

A monogram, sketched by a friend.
Built into a logo by me.

A small craft story about how the AV mark in this site's masthead came to be, and why I picked it up in Figma instead of waiting.

The chosen direction · Option 04
The story

Eight options on a notebook page.

In January 2026, my friend Anoop Surendran (a senior UX designer) pitched the idea of making me a monogram for my author byline, Anoop Vijayan. I write fiction on the side, and my second novel was in early planning. I said yes.

A couple of weeks later, on 19 January, he messaged me a photo of his notebook: eight monogram explorations, all in blue marker, numbered 1 to 8. We talked them through and picked option 4: the wordmark where the A and V are formed by repeating the same triangle, once pointing up, once pointing down. It carried both the name and a kind of quiet symmetry.

His agreement was that he'd build the final files in Figma when my book was ready for press. He's busy with client work; this was a friend favour, not a project.

A few months later, I started building this portfolio. I wanted a logo, not a placeholder. Back in 2024, I'd spent six months as a part-time UX designer for a startup, and Anoop Surendran himself is the person who first taught me how to sketch, design, and prototype in Figma. So I picked up the paper sketch and decided to build it myself. Partly to ship the portfolio. Partly as a quiet thank-you.

What you see in the masthead is option 4, redrawn. Same idea, my hands.

01 · The origin
The notebook page
Anoop Surendran's eight monogram options · 19 January 2026
Notebook page with eight monogram sketches numbered 1 to 8, all in blue marker
Option 4 won: the wordmark where A and V mirror each other through a shared triangle. The clearest of the eight; carried the name without ornament.
02 · The build
Figma file overview
Wordmark variants and standalone marks, ready for export
Figma canvas showing the wordmark variants and standalone monogram marks
Two A and V triangles drawn as pen paths, then mirrored. The wordmark uses Inter for the rest of the letters; the monogram stands alone.
03 · The variants
Two color directions
Blue + black for prose contexts · Blue throughout for digital
Two color variants of the wordmark side by side
Blue + black for book covers and editorial use. Blue throughout for digital and small-scale display, where contrast against soft backgrounds is what matters.
The final marks

Two artifacts from the same idea: the wordmark for author contexts, the standalone AV for everywhere else.

Wordmark
Anoop Vijayan
For author contexts: book spines, bylines, editorial use.
Monogram
AV
For digital: favicon, masthead, social avatars. Sits in the top-left of every page on this site.
A note on craft

When my book ships, Anoop Surendran builds the final.

This version is mine, drawn for the portfolio and deliberately faithful to his original sketch. The polished file for the book cover stays his to make. That was the agreement, and it's the right one.